Byholma Lumber Storage

The fierce hurricane Gudrun swept over Southern Sweden in January 2005 and caused over 300 000 000 trees to fall in this region, an airbase outside the small town Byholma has been converted to the largest lumber storage in the world, now including 1 000 000 m3 of timber. This will stay at this place until 2010, otherwise the market would be saturated. It is now a popular tourist place with a tourbus going in the summer.

Bliss & Son's Tweed Mill

The Bliss Valley Tweed Mill built to resemble a great house in a park and far removed from the simplicity of Early Victorian industrial architecture. It has a balustraded parapet and square corner cowers with urns. A chimneystack of the Tuscan order dominates. It rises from a domed tower and is dated 1872. The architect was George Woodhouse from Lancashire, who specialised in the design of mills and factories.

Hill Hut

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Mickey's Trailer

The movie starts at what seems like a small house in a natural setting. Mickey walks out the door and says, "Oh boy! What a day!" Then, he pulls a lever and walks inside. The house is converted into a trailer (with the natural setting in the shape of a giant hand fan revealed to be a city dump) and Goofy's car is released from the side. Then, Goofy starts driving through the countryside while Mickey makes breakfast (corn on the cob, baked potatoes, watermelon, coffee, and milk). Meanwhile, Donald can't wake up, even when his alarm clock rings and pulls off his blanket. Thanks to a secret controlboard, Mickey manages to rouse him for a machine-assisted bath, but he saw birds and tried to swat them with the towel. Later, the bath is converted into a dining area.

Conical Intersect

- Conical Intersect - Gordon Matta-Clark - Paris - 1975 - Conical Intersect, Matta-Clark’s contribution to the Paris Biennale of 1975, manifested his critique of urban gentrification in the form of a radical incision through two adjacent 17th-century buildings designated for demolition near the much-contested Centre Georges Pompidou, which was then under construction. For this antimonument, or “nonument,” which contemplated the poetics of the civic ruin, Matta-Clark bored a tornado-shaped hole that spiraled back at a 45-degree angle to exit through the roof. Periscopelike, the void offered passersby a view of the buildings’ internal skeletons.