Dunmore Pineapple

Discovered by Christopher Columbus on the Caribbean island of Guadeloupe in 1493, pineapples became a rare delicacy in Europe, and were symbolic of power, wealth, and hospitality. The pineapple was adopted as a motif by architects, artisans and craftsmen, being sculpted into gateposts, railings, weather vanes and door lintels. The motif also featured prominently in interior decoration, fabrics and furniture. The Dunmore Pineapple is perhaps the most spectacular architectural use of the motif. The pineapple is around 14 metres high and constitute a stunning example of the stonemason's craft, being a remarkably accurate depiction of a pineapple. Each of the curving stone leaves is separately drained to prevent frost damage, and the stiff serrated edges of the lowest and topmost leaves and the plum berry-like fruits are all cunningly graded so that water cannot accumulate anywhere, ensuring that frozen trapped water cannot damage the delicate stonework. Despite the unconventional design and the mix of architectural styles, the effect is harmonious because the pineapple and the portico are made of the same stone (ensuring a single colour from top to bottom) and are of a consistent width. Together, they draw the eye upwards in a single smooth motion. The height of the building, from the bottom of the lower floor to the top of the pineapple, is exactly half the width of the structure. Additionally, the width of the portico and pineapple matches the height of the south façade. Together, these elements, along with the four equally spaced urn-shaped chimneys, add to the sense of Classical order and harmony. For more pineapple shaped buildings, check out the Gran Lisboa Casino in Macau.